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Questions? Ask Me!

  • Sara Manus

    Director of the Marta and Austin Weeks Music Library

    sjm373@miami.edu

    she/her/hers

The Research Process

 

Sources for Background Research

uSearch

Different Search Options in uSearch

The University of Miami's uSearch is a powerful tool that allows you to locate print and digital materials held by the libraries. It has several different search options:

  • Everything - the broadest search option, everything retrieves articles, books, scores, audioviual materials, films, e-resources, and other types of materials, including works from the Lowe Art Museum collection.
  • Library Catalog - searches for materials found in UM Libraries with the exception of the UM Digital Collections (which has its own search option). This is the default search setting when accessing uSearch from the Weeks Music Library's homepage. You will find books, scores, audiovisual materials, and journal titles, but NOT individual articles. 
  • UM Digital Libraries - searches for digitized materials from the Special Collections, Cuban Heritage Collection, and UM Archives, as well as UM faculty and student authored content deposited in the UM Scholarly Repository and MiamiLaw Repository.
  • Course Reserves -  searches for articles and other materials placed on class reading and viewing lists by faculty.

More information about uSearch is available at this research guide.

Search Tips for Scores and Recordings

Basic Catalog Search Tips

  • The library catalog is designed to do an initial broad search. You have the opportunity to limit your initial search results by using the options under the "Refine my results" menu.
    • If you need a specific format, the options under "Resource type" are very helpful. Options include books and e-books, scores, CDs, and DVDs.
  • If you are looking for a phrase or unique title, use quotation marks (e.g., "phantom of the opera," "birth of the cool").
  • You don't need to capitalize words or use Boolean operators.
  • When searching for instrumental music, it's helpful to include the composer, genre, opus, and key. You can always broaden your search if your terms are too specific.
  • For scores or sheet music, narrow your search by including the type of score (e.g., “vocal score,” “parts”) or publisher (“henle,” “hal leonard”).
  • For recordings, narrow your search by including performers or ensembles (“kristin chenoweth,” “london symphony”), conductors (“dudamel”), or record labels (“sony," “emi”)
  • If you are looking for a smaller portion of a larger work (like a single song from a larger cycle or an aria from an opera) and you can't find it, try looking for the larger work instead (e.g., instead of searching for "trockne blumen," search for "schone mullerin").
  • If you're having trouble finding something, stop by the Weeks Music Library's Service Desk for help.

 

Core Databases for Music Articles

Sample Music Citations According to the Chicago Manual of Style, 18th ed.

Book with a Single Author or Editor (See Chicago 13.22)

Quevedo, Marysol. Cuban Music Counterpoints: Vanguardia Musical in Global Networks. Oxford University Press, 2023.

  1. Marysol Quevedo, Cuban Music Counterpoints: Vanguardia Musical in Global Networks (Oxford University Press, 2023), 101.

Chapter in an Edited Book (See Chicago 13.25)

Chattah, Juan. "Attuning Serialism: David Shire's Scores for The Taking of Pelham One Two Three, 2010: The Year We Made Contact, and Zodiac." In Film Music Analysis: Studying the Score, edited by Frank Lehman. Routledge, 2024.

  1. Juan Chattah, "Attuning Serialism: David Shire's Scores for The Taking of Pelham One Two Three, 2010: The Year We Made Contact, and Zodiac,” in Film Music Analysis: Studying the Score, edited by Frank Lehman (Routledge, 2024), 244.

Journal Article (See Chicago 13.26)

Abril, Carlos, and Brent M. Gault. “Shaping Policy in Music Education: Music Teachers as Collaborative Change Agents.” Music Educators Journal 107, no. 1 (2020): 23-48. https://doi.org/10.1177/00274321209442.

  1. Carlos Abril and Brent M. Gault, “Shaping Policy in Music Education: Music Teachers as Collaborative Change Agents,” Music Educators Journal 107, no. 1 (2020): 24, https://doi.org/10.1177/00274321209442.

Musical Recordings (See Chicago 14.163)

Daversa, John. Kaleidoscope Eyes: Music of the Beatles. Produced by Chris Brooke, John Daversa, and Tim Weston. Recorded January 6-7, 2015. BFM Jazz 302 062 43 2, 2016, compact disc.

Sleeper, Thomas, conductor. Frost Symphony Live! Recorded 1992-2018. Albany Records TROY1750, compact disc, 2018. Includes Taaffe Zwilich’s Soliloquy and Epilogue for Solo Flute and String Orchestra, Creston’s Concerto for Alto Saxophone and Orchestra, McLoskey’s Chanson pour cordes, Hindman’s Setting Century, and Stinton’s Schlaffe’s Bruder.

  1. John Daversa, Kaleidoscope Eyes: Music of the Beatles, produced by Chris Brooke, John Daversa, and Tim Weston, recorded January 6-7, 2015, BFM Jazz 302 062 43 2, 2016, compact disc.
  2. Thomas Sleeper, conductor, Frost Symphony Live! Recorded 1992-2018, Albany Records TROY1750, compact disc, 2018, includes Taaffe Zwilich’s Soliloquy and Epilogue for Solo Flute and String Orchestra, Creston’s Concerto for Alto Saxophone and Orchestra, McLoskey’s Chanson pour cordes, Hindman’s Setting Century, and Stinton’s Schlaffe’s Bruder.

 Published Scores (See Chicago 14.155)

Hindman, Dorothy. The Steinway Preludes: Suite for Piano Solo. Subito Music, 2017.

Beethoven, Ludwig van. Overture: Symphony No. 6. Arranged by Thomas Agerfeldt Olesen. Wilhelm Hansen, 2012.

  1. Dorothy Hindman, The Steinway Preludes: Suite for Piano Solo (Subito Music, 2017).
  2. Ludwig van Beethoven, Overture: Symphony No. 6, arr. Thomas Agerfeldt Olesen (Wilhelm Hansen, 2012).

Website (See Chicago 14.104)

Frost School of Music, University of Miami. “Jennifer Grim.” Accessed October 17, 2024. https://people.miami.edu/profile/31a167007d6645350c8814fc4bdbd853.

  1. “Jennifer Grim,” Frost School of Music, University of Miami, accessed October 17, 2024, https://people.miami.edu/profile/31a167007d6645350c8814fc4bdbd853.

Unpublished Interviews (See Chicago 14.108) – Usually cited in footnotes rather than a bibliography.

  1. Matthew Brady (Assistant Director of Choral Studies, Frost School of Music, University of Miami), interview with the author, September 20, 2024. Transcript available upon request.

Theses and Dissertations (See Chicago 14.113)

Bunce, Jamie L. “Sarah Kirkland Snider’s Mass for the Endangered: An Analysis and Conductor’s Guide.” DMA diss., University of Miami, 2023. https://scholarship.miami.edu/esploro/outputs/991031788614802976.

  1. Jamie L. Bunce, “Sarah Kirkland Snider’s Mass for the Endangered: An Analysis and Conductor’s Guide” (DMA diss., University of Miami, 2023), 63, https://scholarship.miami.edu/esploro/outputs/991031788614802976.